Profiles in Harmony: Jacqueline Jove

Jacqueline JoveJacqueline has performed as a soloist and chamber musician in concert venues across the United States, Canada, and Europe and has recorded for Naxos and Albany Records. An avid chamber and orchestral musician, she served as a fellow at the Opéra Bastille in Paris and at the Dutch Orchestra and Ensemble Academy. A “strong believer of music as a means for both individual empowerment and social change,” Jacqueline founded the violin program within “Right Trak,” and served as a violin teacher for Instrumental Connection, where she was a volunteer teacher and mentor to at-risk youth. She has held teaching positions with the Long Ridge Music Center, the Hillel Community Day School, and with the Miami Music Project, an El Sistema-inspired music education program. Jacqueline holds a Bachelor of Arts degree, cum laude, with Distinction from Yale University and a Master of Music degree in violin performance from Purchase College Conservatory of Music, where she served as a teaching assistant. She also studied at the Paris Conservatory. Her primary teachers include Wendy Sharp, Laurie Smukler, Marie-Christine Millière, and Mark Steinberg. A gifted musician and dedicated educator, Jacqueline joined the Harmony Program last fall.

How and when did you start playing music?

I started playing the violin when I was 5. My parents took me to a children's concert of Peter and the Wolf, after which I started asking for violin lessons..

Who is your favorite music teacher? Can you tell us something about him/her?

All of my music teachers and coaches have impacted my life, musically and otherwise. My most recent teacher, Laurie Smukler, showed me the importance of playing with your whole heart. She embodies this, which is not an easy thing to do!

If teaching is a form of learning, what do you hope to learn this year?

I hope to learn new ways to connect with and inspire my students to reach high and succeed. I know that I will learn a lot from the El Sistema-inspired, holistic approach to teaching music.

One of the hallmarks of El Sistema is creating a supportive and positive environment for children. How do you do that in your classroom?

I expect a lot from my students but approach teaching with a positive attitude. I do not impose limits on their potential, and they seem to enjoy the challenge. I correct mistakes without judging the student and use them instead to think about how to make the music better. How can we improve our playing position? Create a more beautiful tone? Play better in tune? Play more expressively? The key is putting the music first. I often put students in pairs and encourage them to help each other. I have been happily surprised on several occasions to see one student correct another and have that student reply, “Oh, thanks!”

Trust is so essential to the student-teacher relationship. How do you foster trust with your students?

My students know that they can talk to me about anything. Class time is reserved for music, but I am available to them before or after class. Students often tell me about both their accomplishments and difficulties in school and in social situations, and I try to give the best advice I can.

Thanks, Jacqueline!

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Harmony Program Master Class with the New York Philharmonic

This Saturday, over 100 Harmony Program students from Manhattan, Brooklyn, and the Bronx joined members of the New York Philharmonic for an inspiring afternoon of master classes.

After introducing themselves to the students, and talking a bit about their own musical experiences, the musicians worked with the students, sharing performance and practice tips, and perfecting the pieces that they would perform together at the end of the day.

Cellos

New York Philharmonic cellist, Wei Yu, leads a master class with Harmony Program students.

Percussion

Harmony Program percussion students receive performance tips from New York Philharmonic teaching artist, Justin Hines.

After group lessons, the orchestra took the stage, accompanied by the Philharmonic musicians and Harmony teachers, to perform Handel’s “La Rejouissance,” Mussorgsky’s “The Great Gate of Kiev,” and a very special arrangement of “What a Wonderful World.”

Violins

Violin students, Angelo and Aleika Chery, and the Harmony Program orchestra perform under the baton of Michael Adelson.

Wonderful World

Harmony Program students sing "What a Wonderful World," led by Sanna Valvanne.

Christie

Harmony Program violin student, Christie Cherestal, performs with the Harmony Program orchestra.

Thanks again to everyone who made this special day possible, including Harmony Program students, parents, and teachers, and the musicians, teaching artists, and staff of the New York Philharmonic.

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Meet the Harmony Program Trumpet Students at P.S. 129

Walking down West 130th Street near St. Nicholas Park, one can hear the sound of music coming from the windows of PS 129, where the students of the Harmony Program rehearse every afternoon. On Wednesday, melodies echoed off the concrete and bricks outside as Julie Desbordes’s trumpet class polished up an arrangement of Moussorgsky’s Great Gate of Kiev, which they’ll perform later this spring.

These young musicians were kind enough to take a moment out of their rehearsal to talk about their experiences playing music.

Trumpet students rehearsing at P.S. 129 in Harlem

Of all the instruments in the orchestra, why choose the trumpet?

Raphael: I picked the trumpet because I liked how it sounded. It can make all different kinds of sounds.

Julio: I started playing the trumpet to continue what my mom started. She played the trumpet when she was little and I wanted to play also.

Trumpet students, Julio Camarena, Jordan Clark-Platt, and Johann Arias

What is the most important thing to know about playing the trumpet?

Jordan: There are two important things: contact and air.

Julio: Some people think it’s just air to play the trumpet, but you need both.

Jordan: Yea, but you have to make contact with the lips, like a buzzing sound, and then the air. That’s how you play the trumpet.

Tell me a little bit about your teacher, Miss Julie. Is she a good trumpet player?

Julio: Oh man, she’s good. She’s extremely good.

Johann: Yea, she should teach teachers -- that’s how good she is.

Raphael: And she can play high and fast!

Bryan: She can teach us every day. That’s how I know she’s good.

Trumpet Students, Raphael Quinonez and Bryan Guzman

You all come here every day. That’s a lot of work. Is it hard?

Bryan: Nope. I love it.

Jennifer, you’re the one beginner in the group, how do you like it so far?

Jennifer: I like it a lot. My dad played the trumpet when he lived in another country, and now he plays the piano. We play together sometimes and he helps me practice.

Do all of you play at home with your families?

Group: Yes!

Raphael: They like to listen to me, especially my little sister.

Julio: I have two little sisters, and the youngest likes to take my trumpet from me when I’m playing. My guess is that she’ll be a trumpet player one day soon.

Bryan: My baby brother likes to sit in my trumpet case because it’s so soft.

Any last words?

Jordan: If you want to play an instrument, play the trumpet!

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Thanks to Miss Julie and the students!

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Harmony Program Students “Meet the Music!”

This weekend, twenty students from the Harmony Program orchestra at P.S. 129 joined teachers and staff for a field trip to the “Red Dogs and Pink Skies: The Colors of Music” performance at Alice Tully Hall. The event was part of the “Meet the Music” series of educational concerts for children and families put on by our friends at the Chamber Music Society of Lincoln Center.

Featuring the music of composer Bruce Adolphe, who also serves as the resident lecturer and Director of Family Programs at CMS, the concert explored relationships between music and the visual arts, and asked the students to think about the ways that music is like painting, and vice versa.

Kids at CMS

During the Q&A that followed the performance, Harmony student Naomi Wleh asked percussionist Ian David Rosenbaum his favorite instrument to play. His answer? “The Marimba.” (Mr. Rosenbaum recently won the Salzburg International Marimba Competition.)

Thanks to the Chamber Music Society for such a great afternoon!

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